“Breathe” este o adevarată odă închinată naturii, o compoziție monocromă realizată de către Mike Oblinski care ne-a obișnuit cu bine-cunoscutele sale timelapse-uri furtunoase (cum ar fi seria Monsoon) și care nu dezamăgește nici de această dată, realizând o compoziție epică pornind de la melodia care l-a inspirat “Breathe – Ex Makina”.
“The moment I heard the opening thump of bass…I knew I would be using this song for my film. But then those haunting vocals hit my ears…and blew my mind. It was like a punch deep in my soul. It’s hard to explain that feeling when you first hear a song and you immediately fall in love with it. Almost like you’ve known it all along.
I hadn’t even planned to start working on this film yet, but I was so inspired that I furiously began to lay down time-lapse clips. I couldn’t stop pouring over it. It was last September and I was supposed to be working on Monsoon IV, but I forgot all about it once I heard Ex Makina’s “Breathe.” It almost felt like it was made for a black and white storm film.
About halfway through editing, I knew the song title would be my film title as well. It was so perfect I couldn’t believe it. Sometimes for me…when I’m chasing or watching an amazing storm…I’ll realize I haven’t taken a breath in awhile. Never really thought of it until I heard this song.
I love being inspired by other artists. I love soundtracks. I can’t imagine the movie Interstellar without that powerful pipe organ soundtrack by Hans Zimmer. Music is so important to what I do and I’m so incredibly thankful to husband/wife duo Iain and Rebecca Campbell for writing this amazing song. Thanks to the MusicBed as well for having such fantastic musicians and artists.
In early 2017, I put together a film called Pulse that was my first ever black and white time-lapse movie. It was so different and fun, I wanted to do a follow-up this year before the next chase season begins. Breathe is made up solely of storm clips from 2017…either from the spring across the central plains or from the monsoon here in the southwest. Some are favorites, some are just ones I knew would be amazing in monochrome and others I used because they fit the music so well. I also went with a wider aspect ratio on these films to give it more of a cinematic feel.
This is also the first film I’ve ever done in full 8K resolution. I’m super excited about that. You may not be able to watch it in that resolution, but it’s there if you can. Otherwise, 4K is a must if you can!
I truly hope you enjoy this. For me, I needed something to pass the time and bridge the next few months as I wait for supercells to return to the plains. But honestly, I truly love putting these together. Thanks for all your support in the past and feel free to share!
I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.”